• M.F.A. Transart Institute with Plymouth University, UK.
• M.F.A., University of Michigan, Ann Arbor, MI
• A.O.C.A., Ontario College of Art and Design, Toronto, ON
• B.A. (Sociology and English) Carleton University, Ottawa, ON

• 2022
  • Messages from the Rocks – Stories of the Invisible, Art Gallery of Regina, Regina, SK (with Jillian McDonald) – curated by Sandee Moore
  • therewasandtherewasnot.art – online with Avi Ratnayake, glor (Galway, Ireland and Paved Arts, Saskatoon) – curated by Moran Been-Noon
• 2022
  • A Brief History of Nesting – in Arts Letters Press in Instagram – curated by Penelope Stewart & Jen Law
• 2019
  • Books That Make Us Cry (with Alana Moore) BAM (Bridges Art Movement) 115 Third Avenue South, Saskatoon
• 2017
  • The Hole Paved Arts, Saskatoon, SK
  • Gopher Pillows and Other Residue Void Gallery, Saskatoon, SK
• 2016
  • The Unacknowledged Remai Modern, Saskatoon, SK (off site)
• 2015
  • We Burrowers Art Spin Toronto, ON (curated by Rui Pimenta)
• 2014
  • The Show Axe Neo 7 (with Peter Kingstone), Gatineau, PQ
• 2013
  • Artists and Agents Latcham Gallery, Stouffville, ON
  • Living in 10 Easy Lessons (with Peter Kingstone) Sporobole, Sherbrooke, PQ
  • Living in 10 Easy Lessons (with Peter Kingstone) Articule, Montreal, PQ
• 2012
  • The Toss TPW Toronto
  • HEJ! HEY! XEJ! D’Clinic Gallery, Lendava, Slovenia
  • Living in 10 Easy Lessons (with Peter Kingstone) Gallery 44, Toronto
• 2010
  • Where were the Mothers? Dunlop Art Gallery, Regina, SK
  • Where were the Mothers? White Buffalo Youth Lodge – presented with Mendel Art Gallery, Saskatoon
• 2009
  • Where were the Mothers? Art Gallery of Mississauga, ON
  • Desperately Sorry Emails Artist Project as part of Blackflash Magazine, Saskatoon
  • Just a Trim Case Study Gallery, University of Saskatchewan, Saskatoon
• 2008
  • The Talking Project (with Mary Kavanagh) Red Head Gallery, Toronto, ON
  • Trait d’Union Web Residency and Screening Chambre Blanche, Quebec City, PQ
• 2007
  • She Can’t Begin Red Head Gallery, Toronto, ON
• 2006
  • Tea and Gossip Art Gallery of Calgary, Calgary, AB
  • Enough White Lies to Ice a Wedding Cake McIntosh Gallery, London, ON
• 2005
  • Enough White Lies to Ice a Wedding Cake Mendel Art Gallery, Saskatoon, SK
  • Enough White Lies to Ice a Wedding Cake Robert McLaughlin Gallery, Oshawa, ON
  • Lament Red Head Gallery, Toronto
  • Lament Artspace, Peterborough, ON
  • Tea and Gossip Thunder Bay Art Gallery, Thunder Bay, ON
• 2004
  • Tea and Gossip Ed Video Media Arts Center, Guelph, ON
  • Bred in the Bone Rosemont Art Gallery, Regina, SK
  • Tea and Gossip Alternator Gallery, Kelowna, BC
  • Tea and Gossip Kenderdine Art Gallery, Saskatoon, SK
• 2003
  • Tea and Gossip Redhead Gallery, Toronto, ON
  • I Mightn’t Be Here Tomorrow Custom House Gallery, Westport, Ireland
• 2002
  • INTRUSO Box Hotel Gallery, Barcelona, Spain
  • 933-CALL Art Gallery of Southwestern Manitoba, Brandon, MB
  • Bred in the Bone Floating Gallery, Winnipeg, MB
• 2000
  • Tea Gone Cold Harcourt House Gallery, Edmonton, AB.
  • Tea Gone Cold Eyelevel Gallery, Halifax, N.S.
• 1999
  • Tea Gone Cold Mendel Art Gallery, Saskatoon, SK.
  • Techno-Trance Antichamber Art Gallery, Regina, SK
• 1998
  • Your Mother Works on River Street Moose Jaw National Exhibition Center, Moose Jaw, SK.
  • Traduccion/Translation The Photographers Gallery, Saskatoon, SK.
  • Pain of Separation, Dunlop Art Gallery, Regina, SK.
  • Fear of Blindness Definitely Superior Art Gallery, Thunder Bay, ON.
• 1997
  • Traduccion/Translation Museo Nacional de Arte Moderno, Guatemala City, Guatemala
• 1994
  • Nine Points of Connection Michigan Galleries, Ann Arbor, MI
• 1993
  • Units of Transgression Rackham Galleries, Ann Arbor, MI.
• 1990 
  • Turtle Soup  Cornwall Regional Art Gallery, Cornwall, ON.
  • Linda Duvall: Installation The Lindsay Gallery, Lindsay, ON.
• 1988 
  • Linda Duvall: Recent Work  Art Gallery of Peterborough, Peterborough, ON.
  • Quandary: Recent Work by Linda Duvall  Art Gallery of Hamilton, Hamilton, ON
• 1986 
  • Linda Duvall Acknowledges Winter Gallery 252, Hamilton, ON
• 1984 
  • Wood and Handmade Paper Sculpture  Hamilton Artists’ Inc., Hamilton, ON
• 1980 
  • Vestiges  Gallery 76, Toronto, ON
  • Northern Juxtapositions White Water Gallery, North Bay, ON

• 2024
  • Concoction Members’ Screening 2024, Paved Arts and Saskatoon Nuit Blanche
• 2023
  • A Hole in the Ground, Interarts Matrix, Kitchener, ON (curated by Sheila McMath)
  • Traversée Le Labo des Arts, Caen, France (curated by Sophie Moraine)
  • 20/50 Double Anniversary Exhibition PAVED Arts, Saskatoon, SK
  • The Waterlilies Portrait Project, Gallery 330, Saskatoon, SK
• 2021
  • Normal Service will be Resumed as Soon as Possible, Artcore Gallery, Darby, UK (curated by Chris Wright)
  • Postcards for the Pandemic in The Ripple Effect, IESA Arts & Culture, Paris, FR (curated by Dagmara Genda)
  • Tune in to Green, Short Film Series, Exhibition Two, Austin, Texas (online) (curated by Stephanie Reid)
  • The (not so) Short Film Fest, Ely Center for the Arts, New Haven, Connecticut (online) (curated by JM Casbarian)
• 2020
  • Shed-1, Artcore Gallery, Darby, England (online) (curated by Chris Wright)
  • Saskatchewan Home Movies – Paved and VUCAVU, Saskatoon (online)
• 2019
  • POPLUCK Pump House, Saskatoon, SK
• 2018
  • Woven Together: Beyond the Influence of Sherri Smith Crooked Tree Art Center, Petoskey, Michigan
• 2017
  • Roaming 2-Bridges 2017- From Saskatoon to Wuhan Zall Art Gallery, Wuhan, China (curated by Xiao Han)
• 2016
  • Physis & Tekhne Società Cormonese Austria Gallery, Cormon, Italy
  • Messages from Those who are Absent Nuit Blanche Saskatoon (with Alana Moore) curated by Wayne Baerwaldt
• 2015
  • Signs of Life OCADU as part of Nuit Blanche Independent Project, Toronto, ON (curated by Maiko Tanaka)
  • “I was there!” The Centre for Memory and Testimony Studies, Wilfrid Laurier University, Kitchener, ON
  • Alternative Maternals Digital Gallery, London South Bank University, London, UK
• 2014
  • Alternative Maternals Linder Art Space, Berlin, Germany
• 2013
  • Absurdistan Gallery OV, Shanghai, China
  • Urban Encounters: Documents and Situations Khyber Centre for the Arts, Halifax, NS
  • Working Moms Last Mountain Lake Cultural Centre, Regina Beach, SK
  • Transart Open Frame Supermarkt, Berlin, Germany
• 2012
  • The Tumbleweed Videos The Albuquerque Museum of Art and History, Albuqueque, NM
  • As Is: With Love As Is Project Space, Toronto, ON
  • DECOY Affinity Gallery, Saskatchewan Craft Council, Saskatoon, SK
  • The Tumbleweed Videos Currents: Santa Fe International New Media Festival
• 2011
  • SPANE Screening of Performance Art in the Natural Environment, Artscape Gibralter Point, Toronto
• 2009
  • Deviant Detours Kunsthaus Santa Fe, San Miguel, Guanajuato, Mexico
• 2008
  • The Painful Parts Eastern Edge Video Series 2008 & The Rooms Provincial Art Gallery, St Johns, NF
  • Conversation Pieces Agnes Etherington Art Gallery, Queens University, Kingston, ON
  • She Can’t Begin Internationales Videofestival Bochum, Bochum, Germany
• 2007
  • Cross City Coffee – Site and Subject AKA Gallery and PAVED Arts, Saskatoon
  • Support Groups for Everyday Life Open Engagement, University of Regina, Regina, SK
• 2006
  • Embroidered Truths and Shameless Lies Nuit Blanche Toronto, ON
  • Face to Face: Conversation and Coffee, Penny Coffee Shop, Lethbridge, AB (with Mary Kavanagh)
  • Forest for the Trees Lonsdale Gallery, Toronto, ON
• 2005
  • Face to Face Dinner Event, Saskatoon, SK (Lorelie Sarauer and Lorri Sippola)
  • Spoke Aceart, Winnipeg, MB
• 2004
  • Thailand New Media Arts Festival Bangkok, Thailand
  • dLux Media Arts d<art04 Sydney Opera House Gallery, NSW, Australia
  • Future Cities Art Gallery of Hamilton, Hamilton, ON
  • Split Film Festival, Split, Croatia
• 2003
  • [probing into the distance] Contemporary Art Forum, Kitchener, ON
  • Maxis 11 International Festival of Sound and Experimental Music, Leeds, England
  • Guest House AKA Gallery, Saskatoon SK
• 2002
  • 933-CALL Send and Receive, Winnipeg, MB
  • 933-CALL SPASM Media in Public Spaces Project, Video Verite, Saskatoon, SK
  • Alters and Shrines The Little Gallery, Prince Albert, SK        
  • Contract Work   Gordon Snelgrove Gallery, Saskatoon, SK
  • “If Images Speak a thousand Words…?”, Roundhouse Community Centre, Vancouver, BC
• 2001
  • We Don’t Talk About That – Winner in Outfront Audio Contest Aural Recall CBC Radio, broadcast April 2001
• 2000
  • Common Thread Sheridan College Art Gallery, Oakville, ON.
  • Revolutions 2000, AKA, Saskatoon, SK (audio event)
• 1999
  • Outside the Box Slesser Gallery, Ann Arbor, MI
• 1998
  • In Memorium: Nine Artists Remember Siena Heights University Art Gallery, Detroit, MI
  • Snow on Snow Video Verite Screening, Friendship Park, Saskatoon, SK.
• 1997
  • Ain’t Misbehavin’ Mendel Art Gallery, Saskatoon, SK
  • Carving the Forces of Change Artemisia Gallery, Chicago, IL.
  • Celebrating 25 Years of Members’ Work  The Photographers Gallery, Saskatoon, SK.
  • Biennial: Faculty Works ‘97  Gordon Snelgrove Gallery, Saskatoon, SK.
• 1996 
  • Interpolation  Gordon Snelgrove Gallery, Saskatoon, SK
  • The Works Edmonton Visual Arts Festival, Edmonton, Alta
• 1995
  • London Guildhall Exchange London Guildhall University Gallery, London, England
  • Entry Points: Video in Information Culture Gordon Snelgrove Gallery, Saskatoon, SK.
  • Pure Video Plastic Puppet Motive on Pacific, Saskatoon, SK.
  • Video Verite at the Fringe Saskatoon, SK.
  • Skimming the Surface  Gordon Snelgrove Gallery, Saskatoon, SK.
• 1994
  • Who’s Looking at the Family? Barbican Art Gallery, Barbican Center, London, England
  • Examining Room Ceres Gallery, New York, New York
• 1992
  • International Artists’ Book Collaborations, Alverno College Gallery, Champaign, Ind. (travelling exhibition)
• 1993 
  • Women and Madness: The Social Construction of Identity Congress Street Gallery, Tucson, AZ.    
  • Bookworks at AKA  AKA Gallery, Saskatoon, SK.
  • Photo Re:Union – Processing History Hamilton Artists’ Inc., Hamilton, Ont.
  • Drawn to the Extreme Galeria Mesa, Mesa, AZ
  • Women in Art: Yesterday, Today and Tomorrow  Smith Gallery, Oakland Community College, Detroit, MI. (Honorable Mention)
  • University of Saskatchewan Extension Teachers’ Exhibition Gordon Snelgrove Gallery, Saskatoon,  Sk.
• 1992
  • International Artists’ Book Collaborations, Alverno College Gallery, Champaign, Ind. (travelling exhibition)
  • No Bigger Than, No More Than  Detroit Focus Gallery, Detroit, MI.
  • Surfaces and Structures   Rackham Galleries, University of Michigan, Ann Arbor, MI.
  • Paperbacked/Paperbound  Blackwood Gallery, Erindale College, Toronto (Drawing Award)           
• 1991
  • Works In Progress  Slessor Gallery, University of Michigan, Ann Arbor, MI.
  • Art at the Grassroots  Erindale College Art Gallery, Toronto (traveling exhibition)
• 1990
  • Women’s Friend   Concordia Art Gallery, Montreal, Que.         
• 1989
  • Eight Artists: A Conversation   Artspace, Peterborough, Ont.
• 1987
  •  Echange/ Exchange A  La Chambre Blanche, Quebec City, Que.
• 1986 
  • Paperplanes: Seven Canadian Papermakers  White Water Gallery, North Bay, Ont.         
  • Hamilton Now  Hamilton Historical Public Library, Hamilton, Ont.
• 1985
  •  Handmade Paper: The Medium/ The Structure   Burlington Cultural Center, Burlington (traveling     exhibition)
• 1984
  •  Papermaking O.C.A.  Gallery 76, Toronto, Ont. (traveling exhibition)
  • Ontario Juried Exhibition   Rodman Hall Art Gallery  St. Catherines, Ont.
• 1983
  • Womenswork  Hamilton Artists’ Inc., Hamilton, Ont.
  • White Water: Seventh Anniversary  White Water Gallery, North Bay, Ont.
• 1982
  • New Canadian Photography  Canadian Center of Photography and Film,Toronto, Ont.
  • Inaugural Member’s Exhibition   Hamilton Photo Union, Hamilton, Ont.
  • CKOC Arts Hamilton Exhibition   Art Gallery of Hamilton, Hamilton, Ont.
  • 14th Annual Juried Exhibition  Burlington Cultural Centre, Burlington, Ont.
• 1981
  • Photo Imaging on Cloth  Ryerson Polytechnical Institute, Toronto
  • Graphex   Art Gallery of Brant, Brantford, Ont.
  • Sites of History   National Film Board, Ottawa (traveling exhibition)
  • Artventure   Royal Bank of Canada, Toronto (traveling exhibition)
  • Northern Ontario Art Association Exhibition   Kirkland Lake, Ont. (traveling exhibition, award winner)
• 1980   
  • Two Artists   Carmen Lamanna Gallery, Toronto, Ont.
  • Young Contemporaries ’80   London Regional Art Gallery, London, Ont.
  • New Faces/Artists’ Choice  Glendon Gallery, North York, Ont.
• 1979   
  • Women’s Bookworks   Powerhouse Gallery, Montreal, Que. (traveling exhibition)

• 2023
  • Panel 20/50 Double Anniversary Exhibition PAVED Arts, Saskatoon, SK
• 2017
  • Art Now University of Lethbridge, Lethbridge, AB
• 2015
  • Panel The Centre for Memory and Testimony Studies, Wilfrid Laurier University, Kitchener, ON
  • Panel Alternative Maternals Conference, London South Bank University, London, UK
• 2012
  • Artist Talk HUB Performance Center, Belgrade, Serbia
• 2011
  • Panelist ISEA Istanbul, Turkey
  • Panelist International Visual Sociology Conference, Vancouver, BC
• 2009
  • ISEA Belfast, Northern Ireland
• 2006
  • Visiting Artist Series Brock University, St. Catherines, ON
  • Art Now, Visual Arts Department, University of Lethbridge, Lethbridge, AB
• 2005
  • Artist Talk & Reinvention Activity Robert McLaughlin Gallery, Oshawa
• 2004
  • Artist Talk Alternator Gallery, Kelowna, BC
• 2003 
  • Visiting Artist Series, Sheridan College, Oakville, ON
  • Paved Parking #2, PAVED Art and New Media, Saskatoon, SK
• 2002
  • New Media in Public Spaces, SPASM Symposium, PAVED Art and New Media, Saskatoon
• 2001
  • New Tools for Visual Artists, CARFAC Saskatchewan Conference, Saskatoon
• 2000 
  • High Tech Storytelling Panel with Reva Stone & Rita McKeoughAKA Gallery, Saskatoon, SK
  • Artist Talk Eyelevel Gallery, Halifax, N.S
  • Artist Talk Harcourt House Gallery Edmonton, AB
• 1999 
  • Artist Talk Mendel Art Gallery, Saskatoon, SK
• 1998 
  • Your Mother Works on River Street and Other Conversations, University Art Association Conference, University of Western Ontario, London, Ont.
  • Dig it – Versions of Contemporary Landscape, Mendel Art Gallery, Saskatoon, Sask.
  • Who’s Nose? Superposition: The Art and Science Fair (Petri’s Quadrille Group), Regina, Sask.
  • Artist Talk Dunlop Art Gallery, Regina, SK               
  • Artist Talk Definitely Superior Art Gallery, Thunder Bay, ON
• 1997  
  • Art and Collaboration Rosemont Art Gallery, Canada Council Talks Regina, SK
• 1995  
  • Art, Science and Heresy, Performance/Talk, Interart Studies: New Perspectives, Lund University, Lund, Sweden
• 1994   
  • Babies That Look Alike, Performance/Talk, Society for Photographic Education, Conference, Hartford, Conn.
  • Gallery Talk  Barbican Art Gallery  Barbican Center, London, England
• 1993 
  • Babies That Look Alike, Performance/Talk, International Word and Image Conference, Carleton University, Ottawa,ON.
  • The Lost Art of Storytelling – Rediscovered in the Obituaries, Practicing Postmodernists Conference, University of Oregon, Eugene, OR.
• 1993
  • The Merging of Multiple Traditions in The Teaching of Introductory Drawing and Photography Engaging the Disciplines Conference, University of Illinois, Urbana, ILL.
• 1993
  • Units of Transgression: Sources and Issues, Institute of the Humanities, University of Michigan,
• 1989 
  • Artist Talk Artspace, Peterborough, Peterborough, ON
• 1988 
  • Artist Talk Art Gallery of Peterborough, Peterborough, ON

• Anderson, Shannon “933-CALL” Brandon, MB: Art Gallery of Southwestern Manitoba, Sept 5-Oct. 25, 2002
• Baird, Daniel “Lament “Toronto, ON: The Red Head Gallery, Feb 2-26, 2005
• Elder, Alan C. “Handmade Paper: The Medium/ The Structure”. Burlington, Ontario: Burlington Cultural Centre. January 13- February 17, 1985.
• Fabo, Andy; Moffat, Ellen and Baker, Cindy; Spasmotic: A Public Affair Saskatoon, SK: paved Art + New Media May 23 – June 1, 2002
• Flores, Miguel. “Transient Prairie” Saskatoon, SK.: The Photographers Gallery. April 30 – May 23, 1998.
• Gale, Peggy “Linda Duvall: tea gone cold” in Antipathies and Correspondences Mendel Art Gallery, 2000
• Gale, Peggy; Garneau, David; Gaztambide – Fernandez, Ruben; “Where were the Mothers?” Art Gallery of Mississauga, Nov 5 – Dec 24, 2009
• Garneau, David “Linda Duvall: Bred in the Bone” Regina: Rosemont Art Gallery, May 12 – June 19, 2004
• Henderson, Lisa “Tea and Gossip” Kelowna, BC: Alternator Gallery, Kelowna, BC
• Jansma, Linda “Sanctioned Deception”, and Ring, Dan “A Day in the Li(f)e” in Linda Duvall Enough White Lies to Ice a Wedding Cake Oshawa: The Robert McLaughlin Art Gallery, Saskatoon: The Mendel Art Gallery, London: McIntosh Gallery 2005 -2006
• Hlynsky, David and Salloum, Jayce. New Canadian Photography. Image Nation 26, Toronto, Ontario:
• Canadian Centre of Photography and Film, September 17 – October 24, 1982
• Kavanagh, Mary “Tea Gone Cold” eyelevelgallery Publication Halifax NS Jan. 2000
• Malham, Rodney. “Linda Duvall: Installation.” Lindsay, ON: The Lindsay Gallery. Jan. 5 – Feb. 3, 1990.
• Moser, Gabrielle “Linda Duvall – The Toss” Gallery TPW, Toronto, ON March 1 – 31, 2012
• Pacific, Robin “Lament” Peterborough, ON: Artspace Gallery, May 13 – June 4, 2005
• Salem, J.B. and Nadeau, L. Exchange/Echange A. Quebec, Quebec: La Chambre Blanche, March 6-31, 1987.
• Simon, Kim “Tea and Gossip” Toronto, ON: Red Head Gallery, Feb 6 – Mar 1, 2003,and Saskatoon, SK:
• Kenderdine Art Gallery, Feb 27 – Mar 14, 2004
• Smith, Heather “…Your Mother Works on River Street…” Moose Jaw, SK: Moose Jaw Art Museum, 1998
• Tamplin, Illi-Maria. Linda Duvall: Recent Works. Peterborough, ON: Art Gallery of Peterborough. 1988.
• turions, cheyanne “Living in 10 Easy Lessons” Gallery 44, Toronto, ON October 26 – Dec.1 2012
• Werner, Agnes. Quandary: Recent Work By Linda Duvall. Hamilton, Ontario: Art Gallery of Hamilton. July 14 – August 28, 1988.
• Wawzonek, Donna “Guessed House” AKA Gallery, Saskatoon September 11 – October 17, 2003.
• Williams, Val. “Lost and Found in the Family: Tales of Effects” in Who’s Looking at the Family? (London: Barbican Art Gallery, 1994), pp. 27, 32, 33.

• Adams, Morgan I. “Artist Deals With the Changing Environment” Lindsay This Week. Jan. 16, 1990
• Aguilera, Leon. “La Lente Audaz de Duvall” Cronica (Guatemala City, Guatemala), July 25, 1997
• Anderson, Jack. “Exhibit reasserts tradition” The Regina Leader Post. August 20, 1998
• Ball, Jonathon “A study in Contrasts” Uptown (Winnipeg) Jan 13, 2005 p.16
• Barker, Paul. “Shooting the Family”. Evening Standard (London, England), May 26, 1994.
• Cheseborough, Steve. “Galeria Mesa art exhibit …”. Arizona Republic. September 29, 1993
• Cork, Richard. “Fresh Look at the Family Album” The Times (London, England), May 31, 1994.
• Del Aguila, Virginia. “Las ventanas fotograficas de Linda Duvall” Siglo Veintiuno (Guatemama City, GA), July 2, 1997
• Enns, Francis. “Eight Artists Converse”. Peterborough Sun. February 17, 1989.
• Fleming, Martha. “Reviews: Linda Duvall”. Vanguard. November 1980, p. 30.
• Fabo, Andy “Tea and Gossip” Fuse Vol. 26 Number 3 (2003) p. 45 – 46
• “Fotografia Contemporanea en el Museo Nacional de Arte Moderno” Prensa Libre (Guatemala City, GA) July , 1997.
• Ghaznavi, Corinna “Curatorial Road Trip” Blackflash, Vol 19.3 2002
• Kolawole, Helen. “Show not for the family” The Weekly Journal (London, England), July 7, 1994.
• “Linda Duvall, fotografa canadiense, expone en el museo de Arte Moderno” El Grafico (Guatemala City). Aug. 4, 1997
• Light, Whitney “Gossip at the Gallery” Arts & Culture (Winnipeg) Jan 13, 2005 p 15
• Mays, John Bentley. “Country Sketched in Sculpture”. The Globe and Mail (Toronto). September 1980.
• Moore, Suzanne. “Here’s looking at you, mum and dad and kid”. The Guardian (London, Eng). May 27, 1994.
• Palmer, Andrew. “One big dysfunctional family” The Independent (London, England), June 15, 1994.
• Priegert, Portia Saskatchewan Artist Linda Duvall Sits in a Hole Galleries West Magazine (online Accessed Mar 2018)
• Roberts, Lorne. “A city’s battered beauty in black and white” Winnipeg Free Press, Feb 10, 2005, p D7.
• Robertson, Sheila. “Installation examines families and loss” The Star Phoenix (Saskatoon, SK) May 22, 1999
• Robertson, Sheila. “Saskatchewan Artists Saying It with Videos” The Star Phoenix (Saskatoon, SK.), Sept. 13, 1997
• Robertson, Sheila. “Rites of Spring” The Star Phoenix (Saskatoon, Sk), April 19, 1997.
• Sweting, Dennis. “In the Spotlight”. The Post Vision – The Lindsay Post. January 30, 1990.
• Todkill, Anne Marie. “Almost like a signature” CMAJ Feb.9, 1999
• Walker, Meg. “Bodies and Light” CMAJ Mar .18, 2003; 168 (6) p 747 – 748
• Williams, Val. “Back to Basic Families” Women’s Art Magazine March 1994, P. 4-5.

• Summer 2002 Video – Theory and Practice (Art 399.6)
• Winter 2001 Extended Media (Art 237, 338, 439, 800)
• Fall 2000 Extended Media (Art 237, 338, 439, 800)
• Winter 2000 Extended Media (Art 237, 338, 439, 800)
• Senior Sculpture (Art 242, 343, 443, 800)
• Introductory Sculpture (Art 142)
• Fall 99 Extended Media (Art 236, 338, 438)
• Introductory Sculpture (Art 141.3)
• Senior Sculpture (Art 242, 343, 442, 800)
• Winter 99 Extended Media (Art 237, 338, 439)
• Introductory Sculpture (Art 142.3)
• Fall 98 Extended Media (Art 236, 338, 438)
• Introductory Sculpture (Art 141.3)
• Winter 98 Senior Sculpture (Art 242, 343, 442, 800)
• Fall 97 Introduction to the History of Art – (Art 120) – Prince Albert Campus
• Winter 97 Foundation in Extended Media (Art 135)
• Fall 96 Foundation in Extended Media (Art 135)
• Winter 96 Foundation in Extended Media (Art 135)
• Fall 95 Senior Photography   (Art 316)
• Foundation in Extended Media (Art 135)                  
• Winter 95 Introductory Photography (Art 162)  – Kindersley Campus
• Introduction to the History of Art – (Art 110 Part 2)
• Fall 94 Introductory Photography (Art 161) – Kindersley Campus
• Introduction to the History of Art – (Art 110 Part 1) – Main Campus
• Winter 94 Introduction to the History of Art – (Art 110) Part 2  – Raymore Campus
• Fall 93 Introduction to the History of Art – (Art 110) Part 1 – Raymore Campus
• Note: All are at the main campus in Saskatoon unless otherwise noted.

• Fall 1993. Instructor – Basic Photography
• Intern teacher – Basic Drawing
• 1992 Intern Teacher – Photo Fact \ Photo Fiction
• Teaching Assistant – Origins and Issues of Art                                  
• Winter 1991 Intern Teacher  – Photo and other Arts        
• Teaching Assistant  – Introduction to the Visual Arts

• 1998  
  • Photography Instructor Universidad Rafael Landivar, Guatemala City
• 1990  
  • Artist in the School Project  Peterborough County Board of Education, Peterborough, Ont. Project Title “From Two Dimensions To Three: Large Scale Sculpture”
• 1986  
  • Photography Instructor Native Canadian Center Hamilton, Ontario
  • Instructor Kingston Psychiatric Hospital, Children’s Inpatient Unit, Kingston, Ont.
• 1974    
  • Instructor Prison for Women, Kingston, Ont.
• 1973-4  
  • Group worker with Terminally-Ill Children and their Parents Hospital for Sick Children, Toronto, Ont.

Hospitalfield, Abroath, Scotland Dedicated to contemporary art and ideas, Hospitalfield is a place to work, study, learn, visit and enjoy

The mission of the Patrick Allan Fraser of Hospitalfield Trust is to provide the ‘time’ for artists to develop their work in the quiet surroundings of the Hospitalfield campus in the coastal town of Arbroath. With our audiences we devise and deliver a dynamic public programme that chimes with their interests and concerns, inspires learning and animates the extraordinary Arts & Crafts heritage of the site.

In the mid-19^th century the vision for Hospitalfield was crystalised by the artist Patrick Allan Fraser and his wife Eliabeth. They were a progressive and radical couple in their time and, as per their bequest, Hospitalfield has been a place of learning for artists since 1902. The art college opening first as a residential academy and then in 1938 becoming a renowned post graduate painting school.

Chambre Blanche _ Quebec City

EMMA

CAFKA.03 Mimicking the fieldwork of anthropologists or sociologists, Linda Duvall collects and organizes ordinary conversations and other mundane matter. In her projects public knowledge and presentation is posited in contrast to more intimate material.

In one-hour blocks of time, I will do a systematic count of notable features within the environs of Kitchener City Hall. I will focus on the more intangible aspects for my counting. Rather than emphasizing the socioeconomic indicators that are defined in official counts, I will focus on the transitory elements people wearing red socks, noisy cars, squealing children, chirping brown birds.

Guatamala

Barcelona

County Mayo, Ireland – Most recently she spent a month eavesdropping